Saturday 25th November saw the launch of a double CD of music by two of Alan’s quartets by Uli Blobel’s German label Jazzwerkstatt. One CD features a concert recorded in Berlin in 2007, the other a 2011 gig at the Boxford Fleece which was Alan’s last opportunity to work with long-time drummer collaborator, the late Tony Levin.
Jazzwerkstatt held a two-day festival at the Vortex Jazz Club in Dalston featuring artistes who were also releasing new CDs. Alan played an all-Coltrane set with his customary enthusiasm and vigour to a rapturous reception. It’s perhaps worth noting that Alan is nearly twice the age of John Coltrane when he played these numbers.
Photographs: Graham Mullett
Alan also features on one of the tracks Mr Skid. on the new album from the Leo Richardson quartet and will be guesting with the band at the Pizza Express Jazz Club on 12th December.
Saturday 7 October 2017 saw the official opening of the Jazz Centre UK at the Beecroft Gallery in Southend. The Centre houses an impressive collection of important jazz memorabilia including Louis Armstrong’s trumpet, John Dankworth’s first piano and the complete Humphrey Lyttleton archive.
Alan and Digby Fairweather admiring Jimmy Skidmore’s tenor sax
It has a programme of screenings of jazz films and other events.
It also has a display which includes Jimmy Skidmore’s tenor saxophone which Alan donated to the Centre.
During the opening celebrations, Alan was presented with a silver salver recognising his 60 years in jazz. At the presentation founder of the Centre Digby Fairweather praised Alan for his contribution to jazz and his generosity to the National Jazz Centre. Alan replied, “I’ve given six decades of my life to this art-form and I appreciate its full celebration here in words and deeds”.
He then played a set to the delight of the crowds attending this significant event. Alan was especially pleased to be in the company of the next generation of jazz musicians as members of the National Youth Jazz Orchestra followed his performance. The Centre will maintain close links with the orchestra to develop jazz in the future as well as displaying its past.
[Photographs courtesy Graham Mullett]